Lucky 13! Well, not for that poor drunkard leaning against Robyn’s van. Remember today’s page class, there will be a quiz much later in the story about this! Nudge, nudge. 

These pages are kicking my ass as I’m pushing myself to venture into more challenging poses and backgrounds. The exteriors will kill me for sure. Upcoming is the recording studio interior, then the interior to CBGB’s club/bar, then I have the gang lost in the streets of New York at night. Ah well, I wrote the damn thing, so I can’t blame anyone but me. If this is going to 1977’s final story, then I want to go out on a high note with a big story. I just hope my drawing hand survives all of this. 

I do take advantage of reusing stuff if I can without compromising the page. Like the first and last panels are essentially the same drawing, plus I altered Lorraine from frame 1 to use in the close up of frame 6. Robyn in frame 4 is a modified drawing from an earlier page. There is a famous quote attributed to artist Wall Wood which goes “Never draw anything you can copy, never copy anything you can trace, never trace anything you can cut out and paste up.” My take on the quote is if you have a deadline, do what’s necessary to meet that deadline.

My own personal philosophy is “Amatuers Copy, Professionals Steal” meaning take something but make it your own because there is nothing original anymore, it’s all been done before. Now I never trace someone else’s art, that’s just taboo for me. But I have traced over photos of my own hands in the past to learn how to draw hands. 

Love UFO, especially their 1977 album “Lights Out” which I wore out playing it so much back in 1977. So I figured “Electric Phase” would fit today’s page just right. But even “Lights Out” fits as that’s what Robyn does to the drunk leaning on her van.